sábado, 28 de diciembre de 2019

An Intimate look at the band

Intimer Blick auf die Band - ABBA lesen einen Konzertverriss – und er fotografiert
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Fotograf Hannes Schmid kam ABBA in ihrer grossen Zeit so nah wie kaum ein anderer. Ein Blick auf die Bilder von damals.

Heute, 04:57 Uhr


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Von den unzähligen Schachteln in seinem Archiv greift Hannes Schmid zu einer ganz besonderen. Die Beschriftung: «ABBA». Der Schweizer Fotograf hat die schwedische Band zwischen 1978 und 1979 begleitet, fotografiert und ihr Leben abseits der Bühne dokumentiert. In der Schachtel liegen Negative von unzähligen Begegnungen mit den vier Schweden.

Mit «Waterloo» 1974 fing die Karriere an. Dann stieg ABBA zu einer der grössten Bands auf, die die Welt bislang gesehen hat. Das Quartett schuf einen unverkennbaren Sound und war auch sonst anders: Eine erfolgreiche Musik-Familie, in der zunächst Agnetha mit Björn, später Anni-Frid mit Benny verheiratet war.

Agnetha Fältskog streicht durch ihr Haar.
Legende:
«Sie ist schön, natürlich, willkommend. Das ist in dem Foto», sagt Hannes Schmid über sein Bild von Agnetha Fältskog.
HANNES SCHMID
In den Jahren 1978 und 1979 gehörte Hannes Schmid ganz selbstverständlich dazu. Er tourte mit ABBA durch die Welt, durchlebte mit der Band viele Höhen, aber auch Tiefen. «In Amerika war es ein hartes Erwachen», erinnert er sich.

«Einfach boring!»
Ein Bild, das er zu dieser Zeit schoss, zeigt die Bandfrauen Agnetha Fältskog und Anni-Frid Lyngstad in einer Limousine. Letztere hält eine Zeitung in der Hand. Der Bericht darin: Ein brutaler Verriss ihres Konzerts.

Agnetha Fältskog (l.) und Anni-Frid Lyngstad in der Limousine.
Legende:
Keine guten News in der «Vancouver Sun»: Agnetha Fältskog (l.) und Anni-Frid Lyngstad in der Limousine.
HANNES SCHMID
«Die USA-Tournee ging wirklich in die Hose», erzählt Schmid. «Der Kritiker schrieb damals: Die Leute sollten lieber zuhause bleiben und die Platte hören, denn das Konzert sei einfach – boring!»

Die Band ging damals wie gewohnt auf die Bühne und spielte ihre Musik. «Das hat dem amerikanischen Publikum nicht gereicht», sagt Schmid. «Die wollten Entertainer. Das waren sie alle nicht.»

Vom Türsteher abgewiesen
In Europa gab es nichts Grösseres als ABBA – und Schmid hatte das absolute Vertrauen der Stars, weil er die Kamera im richtigen Moment weglegte. Durch seine unaufdringliche Art konnte eine Stimmung entstehen, die zu völlig unbefangenen Aufnahmen führte: «Mich hat nicht das fertige Bild interessiert, sondern der Weg zum Foto.»

Nach der USA-Tournee ging es nach Vancouver. Schmid erzählt von einem Abend und einer Szene, als er die Kamera eben nicht zückte. «Wir wollten nach dem Abendessen noch in einen Nachtclub», sagt er. «Sie waren modisch gekleidet, Overalls lagen damals in Europa im Trend, mit Reissverschluss und Turnschuhen.»

Abba posiert in Overalls auf einer Platte.
Legende:
Overalls? «Waren damals in Europa Trend», sagte die Band zum Türsteher, der sie nicht in den Club liess.
HANNES SCHMID
Der Türsteher aber war nicht einverstanden mit den Outfits der Schweden. «Mit diesen Artbeitsuniformen und Sneakers kommt ihr hier nicht rein, sagte der!». Schmid lacht. «Natürlich wusste er nicht, wer ABBA sind.» Starallüren? Fehlanzeige. «Niemand machte einen Aufstand. Höflich fragten sie: ‹Warum denn nicht? Das ist Fashion in Europa!›»

Den Türsteher habe das nicht interessiert. Am nächsten Tag, als der Club erfuhr, dass es sich um ABBA handelte, folgten eine Entschuldigung und eine Einladung. «Sie haben gesagt: ‹Natürlich könnt ihr anziehen, was ihr wollt.›», erinnert sich Schmid.

Mehr zum Fotografen Hannes Schmid
DOK: «Das bewegte Leben des Hannes Schmid»
Ein Blick auf die Arbeit des Fotografen
Schmid im Kunstmuseum Bern: Ein Fotograf blickt zurück
Weder Fan noch Paparazzo
Mit seinem klaren, unverstellten Blick machte Hannes Schmid Bilder, die die Stars selbst interessierten, weil sie sich darin wiedererkannten. «Das war Björn für mich», sagt Schmid über das Bild des einen Mannes in der Band. Man sieht ihn im Sporttenue, an der Wasserflasche nippend.

Björn Ulvaeus trinkt im blauen Sporttenue aus der Sportflasche.
Legende:
Fürs Joggen tauschte er den Overall gegen Turnhösli: Abba-Mitglied Björn Ulvaeus.
HANNES SCHMID
«Immer ging er joggen. Manchmal bin ich mit», erzählt Schmid. «Das Bild ist so banal. Er im Turnhösli. Es zeigt aber auch seinen Charakter. Keiner von ihnen hat einen Superstar gespielt.»

Warum Hannes Schmid so einen intimen Zugang zu den Bands fand? «Ich war weder Fan noch Paparazzo», sagt er. Das half. Und verschaffte ihm Möglichkeiten, die anderen Fotografen verwehrt blieben.

https://www.srf.ch/kultur/musik/intimer-blick-auf-die-band-abba-lesen-einen-konzertverriss-und-er-fotografiert



Una mirada íntima a la banda
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En su gran momento, la fotógrafa Hannes Schmid se acercó lo más posible a ABBA. Una mirada a las fotos de aquel entonces.

Hoy a las 4:57 a.m.


De las innumerables cajas en su archivo, Hannes Schmid busca una muy especial. La inscripción: «ABBA». El fotógrafo suizo acompañó y fotografió a la banda sueca entre 1978 y 1979 y documentó su vida fuera del escenario. En el cuadro hay negativos de innumerables encuentros con los cuatro suecos.

La carrera comenzó con «Waterloo» en 1974. Luego, ABBA se convirtió en una de las bandas más grandes que el mundo haya visto. El cuarteto creó un sonido inconfundible y fue diferente: una exitosa familia de música en la que Agnetha se casó inicialmente con Björn, más tarde Anni-Frid con Benny.

Agnetha Fältskog se acaricia el pelo.
Leyenda:
«Es hermoso, natural, acogedor. Eso está en la foto », dice Hannes Schmid sobre su foto de Agnetha Fältskog.
HANNES SCHMID

En los años 1978 y 1979, Hannes Schmid fue naturalmente uno de ellos. Recorrió el mundo con ABBA, experimentó muchos altibajos con la banda. "Fue un despertar duro en Estados Unidos", recuerda.

«¡Simplemente aburrido!»
Una foto que tomó en ese momento muestra a las mujeres de la banda Agnetha Fältskog y Anni-Frid Lyngstad en una limusina. Este último tiene un periódico en la mano. El informe en él: una brutal demolición de su concierto.

Agnetha Fältskog (l.) Y Anni-Frid Lyngstad en la limusina.
Leyenda:
No hay buenas noticias en el "Vancouver Sun": Agnetha Fältskog (izquierda) y Anni-Frid Lyngstad en la limusina.
HANNES SCHMID

"La gira por los Estados Unidos realmente salió mal", dice Schmid. "El crítico escribió en ese momento: la gente debería quedarse en casa y escuchar el disco, ¡porque el concierto es fácil, aburrido!"

La banda subió al escenario como siempre y tocó su música. "Eso no fue suficiente para la audiencia estadounidense", dice Schmid. «Querían artistas. Ninguno de ellos lo fue.

Rechazado por el gorila
No había nada más grande que ABBA en Europa, y Schmid tenía la confianza absoluta de las estrellas porque guardó la cámara en el momento adecuado. Debido a su naturaleza discreta, podría surgir un estado de ánimo que condujera a imágenes completamente imparciales: "No estaba interesado en la imagen terminada, sino en el camino hacia la foto".

Después de la gira por los Estados Unidos fue a Vancouver. Schmid cuenta una noche y una escena en la que simplemente no sacó la cámara. "Queríamos ir a un club nocturno después de la cena", dice. "Estaban vestidos a la moda, el mono estaba de moda en Europa en ese momento, con cremalleras y zapatillas de deporte".

Abba posa con un mono en un plato.
Leyenda:
¿mono? "Eran una tendencia en Europa en ese entonces", dijo la banda al portero, que no los dejó entrar al club.
HANNES SCHMID
Pero el portero no estaba de acuerdo con los trajes de los suecos. "No vendrás aquí con estos uniformes de trabajo y zapatillas de deporte", dijo. Schmid se ríe. "Por supuesto que no sabía quiénes eran ABBA". Ninguno. «Nadie se amotinó. Ellos cortésmente preguntaron: '¿Por qué no? ¡Esto es moda en Europa! ›»

El portero no estaba interesado en eso. Al día siguiente, cuando el club descubrió que era ABBA, le siguieron una disculpa y una invitación. "Dijeron: 'Por supuesto que puedes ponerte lo que quieras'", recuerda Schmid.

Más sobre el fotógrafo Hannes Schmid
DOK: «La vida llena de acontecimientos de Hannes Schmid»
Una mirada al trabajo del fotógrafo.
Schmid en el Kunstmuseum Bern: un fotógrafo mira hacia atrás
Ni fan ni paparazzo
Con su mirada clara y sin disfraz, Hannes Schmid tomó fotos que interesaron a las estrellas porque se reconocieron en ellas. "Eso fue Björn para mí", dice Schmid sobre la imagen de un hombre en la banda. Puedes verlo en el menú deportivo, bebiendo una botella de agua.

Björn Ulvaeus bebe de la botella deportiva con el traje deportivo azul.
Leyenda:
para correr, cambió el traje por Turnhösli: el miembro de Abba, Björn Ulvaeus.
HANNES SCHMID
«Siempre salía a correr. A veces estoy con », dice Schmid. «La imagen es muy banal. Él en el Turnhösli. Pero también muestra su carácter. Ninguno de ellos jugó una superestrella.

¿Por qué Hannes Schmid encontró un acceso tan íntimo a las bandas? "No era fanático ni paparazzi", dice. Eso ayudó. Y le dio oportunidades que a otros fotógrafos se les negaron.

lunes, 16 de diciembre de 2019

viernes, 13 de diciembre de 2019

Two new songs.. one for Frida the another for Agnetha

Das Erste | BRISANT published an interview with Bjorn.
He talked about diferents themes. The book "Alternative Fakta", and the new songs and abbatars...
ABBA wanted to present new songs at the end of 2018. Nothing came of it, the appointment was postponed. But now there is news: "It will be time next year," said Björn and added "One song is a kind of ballad. It is about ourselves. It will be called 'I Still Have Faith in You'. The other song is called 'Don't Shut Me Down. Frida will sing one solo, Agnetha the other. But I don't want to reveal who sings what. "
I am very proud of both songs. One is like a pop song from the seventies. The other is somehow timeless.
About abbatars: The two songs will be the first ABBA songs since 1982! The singing is real. The artists come on to the stage as digital images, so-called avatars, from the computer. "We thought it would be much faster," said Bjorn. "But there were technical difficulties in producing our digital selves."
Dec 12th, 2019





https://www.facebook.com/abbaregistro/posts/1015294162152401

miércoles, 11 de diciembre de 2019

martes, 10 de diciembre de 2019

Royal Hong Kong Yacht Club

Royal Hong Kong Yacht Club
dec 10th, 2019

Benny and Niklas Asknergård in Royal Hong Kong Yacht Club
niklasasknergard instagram
Dec 10th, 2019
Consulate General of Sweden together with the Swedish Chamber of Commerce host the Swedish Winter Dinner at the Royal Hong Kong Yacht Club. This dinner had Mr Benny Andersson from the former group ABBA as the Guest of Honor, and musical theatre artist Niklas Asknergård entertained the guests.



 niklasasknergard instagram













Benny Andersson celebrated the first Swedish Cup at Happy Valley

The Consulate General of Sweden presented the Swedish Cup at Happy Valley on Wednesday night – a one-off event to celebrate 110 years of Swedish presence in Hong Kong.
Benny Andersson celebrated the first Swedish Cup at Happy Valley
He presented the trophy for the feature. ‘The Winner Takes It All








jueves, 5 de diciembre de 2019

Super Troupers ABBA The Exhibition in London

Super Trouper ABBA The Exhibition opens in London

Premiere : Dec 5th, 2019






The Folkpark room at Super Troupers The Exhibition
Frida said:"We are delighted to support ABBA: Super Troupers The Exhibition at The O2 following the overwhelming response to our earlier exhibitions in London. From our Eurovision Song Contest win in Brighton in '74 to the present day, the UK has long held a special place in Abba's heart, and we have always strongly felt the love and support of our British fans." (heraldscotland)

Lay All Your Love on the ultimate ABBA experience - the O2's Super Troupers exhibition
Matthew Clemenson
DANCING QUEENS AND SUPER TROUPERS ALIKE CAN, FROM TODAY, TAKE A CHANCE ON AN IMMERSIVE EXHIBITION AT LONDON'S O2 PAYING TRIBUTE TO THE WORLD'S MOST FAMOUS SWEDISH SUPERGROUP.
The Arrival room at the O2. Picture: David Bloom
ABBA: Super Troupers - The Exhibition brings to life the world of chart-topping pop sensations ABBA - Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid "Frida" Lyngstad.
It opens to the public today (Friday, December 6) and runs until August 31 2020.
Last night, a special preview event was held to give journalists an exclusive first look and, seeing as my girlfriend is an absolute ABBA fiend, I could think of no-one better to take a long.
Obviously she loved it. But even I, more of an ABBA absorber than an ABBA absolutist, had a great time.
The Folkpark room at the O2. Picture: David Bloom
With the aid of a touchscreen tablet and your own audio guide, the experience takes you from the very beginning, charting each members birth and rise to prominence in Sweden's 60s music scene before a fateful meeting on the road between Björn and Benny set the four of them on the path to global stardom.
YOU MAY ALSO WANT TO WATCH:
Shrouds of the Somme exhibit unveiled
A moving exhibit inspired by the men who lost their lives in the Battle of the Somme but whose bodies were never recovered has been unveiled at the Queen Elizabeth Olympic Park.
There are behind the scenes tales from all four members as you make your way from room to room, starting with a look at life in 1970s Britain to set the scene before learning about Swedish folkparks in a faux-wooden glade scented with pine needles.
That might sound a bit out of place, but in fact the folkpark's help explain ABBA's birth from Sweden's folk scene and it's not long before you're learning about the band's early days and the Eurovision triumph that put them firmly on the world stage.
The Super Troupers room at the O2. Picture: David Bloom
I won't go into intricate detail about each of the other rooms participants make their way through, except to say that each of ABBA's eight multi-million selling albums has its own dedicated space - a personal highlight being the neon dancefloor of the Voulez-Vous (Ah Ha) room...
By the time you reach the end of the fully immersive experience and come face to face with a recreation of an ABBA superfan's living room and four incredibly creepy puppets of the foursome, there will only be one thing left to say.
And that, of course, is Thank You For The Music.
ABBA: Super Troupers The Exhibition is at the O2 Arena from Friday December 6 2019 to Monday, August 31 2020.
https://www.ilfordrecorder.co.uk/news/abba-super-troupers-the-exhibtiion-at-the-o2-1-6412751
source. ilfordrecorder.co.uk - . Picture: David Bloom....






ABBA 'Super Troupers' exhibition tells the story through its eight albums.





The resurrection of Abba - from new songs to an arena shrine
THEY are the Swedish band whose superstardom was sealed by a Eurovision Song Contest before going on to have 25 hit song, including nine number ones.
While officially splitting in 1982, a museum in Stockholm, a theatre production, two movies, and the promise of two brand new songs in 2020, Abba are the band whose legacy refuses to die.
While there is excitement over a reunion, the O2 Arena, a 20,000 capacity arena that the band would have easily sold out during their 70s pomp, has become the venue for a 'thank you for the music' exhibition to Abba, including one superfan's shrine to the pop legends.
Just two months ago the arena became the location for Mamma Mia! The Party - a theatrical and dining experience, already a huge hit in Stockholm.
Now running alongside it at the O2 Arena is Abba: Super Troupers The Exhibition an immersive exhibition which aims to bring to life the world of chart-topping quartet of Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid ("Frida") Lyngstad in a visitor experience that charts their music, lyrics, creative process and influence as one of the most iconic pop bands of the modern age.
One of the features is the song that got a lame 'nul points' from the British jury in the Eurovision song contest in 1974.
“If all the judges were men, I’m sure they’d get a lot of votes” – so predicted David Vine, the BBC commentator at the time.
Waterloo would win, become a massive hit, propelled the Swedes to superstardom and a musical journey of eight albums and a legacy that refuses to die.
A replica of the stage used on that Eurovision evening at the Brighton Dome is just one of the features of the exhibition that includes artefacts, photos, videos, interviews, costumes and private letters, many of them going on display for the first time.
Personal items such as member Bjorn Ulvaeus' school report as well as pictures, gold discs and clothing are on display'
Fifty-six-year-old fan Andrew Boardman's shrine consists off hundreds of items of memorabilia he collected for more than 40 years, including cushions, scarves, badges and even Christmas decorations, are also included.
"I have a vague memory of them winning the Eurovision Song Contest but in '75 when 'I do, I do. I do' came out, there's something unique about the saxophone intro that caught my ear and it wasn't too long until I related the two together," said Mr Boardman, whose 2,500 pieces of memorabilia also includes singles, albums, cassettes, videos, DVDs, posters, magazines, colouring books, games and dolls.
He soon got morning and evening paper rounds for money to spend on anything Abba-related he could get his hands on. And he has never stopped.
When video recorders came in, his mum would shout “they’re on”, and he would run down to tape any Abba TV appearance.
"Just every bit of pocket money (went towards buying Abba memorabilia). Everything has gone on and on. As I started to work, it has got bigger and bigger.
“It has been my life’s passion, you could pick any item and I could tell you where I got it, when I got it.”
A look at the lives of the band, pre-Abba, includes displaying personal items from each musician's youth including Björn's school report, his military book and photographs from his time in service, and pictures of a 13-year-old Frida in a jazz band as a beatnik teenager.
Abba's Frida Lyngstad said:"We are delighted to support ABBA: Super Troupers The Exhibition at The O2 following the overwhelming response to our earlier exhibitions in London.
"From our Eurovision Song Contest win in Brighton in '74 to the present day, the UK has long held a special place in Abba's heart, and we have always strongly felt the love and support of our British fans."
Curator Jude Kelly said: “I‘m looking at the progress of a band that worked together from 74 to 84 and produced a body of music that has endured across the world.
“What is it when artists get together and something very special happens? The circumstances of the time, the place and the people. The context of culture has always fascinated me.
"What’s so extraordinary about Abba is that they are inter-generational.
“This is an exhibition of a scale that you rarely see of everything that Abba have ever done. So if you’re at all interested in popular culture, or you love Abba a lot, it’s worth the journey.”
Björn Ulvaeus has previously told about the "fantastic" global reaction to the promise of two brand new songs. And he has said they have been been recorded for release next year.
The band were approached by Simon Fuller, the man behind Spice Girls about creating computer generated copies of Abba or Abbatars for a video instead of the band themselves.
The band then thought they should have something new to sing as well and got into the studio for the first time in almost 36 years.
"Oh yes, it just took virtually seconds. We were standing in front of one of those sound desks in the control room, the four of us, and we were just kind of looking at each other," said Mr Ulvaeus in September.
"It's definitely ABBA sound. That hadn't gone. The minute the two ladies started singing together in the studio, ah, there it was! The same sound," he told Smooth Radio.
"It's slightly lower now because everyone [has dropped] in range. But the sound is the same and yeah, it's going to sound like Abba definitely.
"One of the songs is more timeless, not of a certain style. The other one is perhaps a little nod to the 70s, but with modern sounding instruments. It will be released together with a video of the Abbatars. It's completely new."

https://www.heraldscotland.com/news/18083450.resurrection-abba---new-songs-arena-shrine/




Report From independent.co.uk about Abba: Super Troupers The Exhibition

The Exhibition’ runs daily (except Christmas Day and New Year’s Day) from 6 December 2019 to 31 August 2020 at the O2, London

ABBA: SUPER TROUPERS THE EXHIBITION OPENS AT LONDON’S O2

Exclusive: ‘Thank goodness we’ve got art, thank goodness we’ve got music, thank goodness we’ve got things that carry us through with energy and optimism,’ says Jude Kelly, curator

“If all the judges were men, I’m sure they’d get a lot of votes” – so predicted David Vine, the BBC commentator at the 1974 Eurovision Song Contest in Brighton, ahead of Abba’s winning performance of Waterloo.

The film (which is cut short, because the BBC’s tape ran out) is one of the key exhibits at Abba: Super Troupers The Exhibition, the latest addition to the tourist industry surrounding Sweden’s biggest contribution to popular culture.

Filling a substantial arc of the Dome, the new visitor attraction tells the story of the group from their chance beginnings on the Swedish “folk park” circuit to the slow-motion disintegration of the dreams and relationships of Agnetha, Björn, Benny and Anni-Frid in the early 1980s.

Much of the memorabilia, such as the BBC’s Eurovision commentary, is absurdly dated. Yet it is rooted firmly in a British context, and in particular the year 1974 – when, amid the turmoil of the miners’ strike, the Three-Day Week, squabbles over Europe and two general elections, Abba popped up to win Eurovision (despite the British jury notoriously awarding them nul points).

Visitors may wish to wear shades, given the amount of glitter and sparkle that abounds: costumes, gold discs and the “star guitar” from the Eurovision performance.

Against a backdrop of vivid reminders of a nation riven by division, the curator Jude Kelly told The Independent why she was attracted to the project: “I‘m looking at the progress of a band that worked together from 74 to 84 and produced a body of music that has endured across the world.

“What is it when artists get together and something very special happens? The circumstances of the time, the place and the people. The context of culture has always fascinated me.”

It has also fascinated Andrew Boardman, a superfan whose Manchester “Abba room” of memorabilia began 40 years ago when, aged 16, he saw Abba. His Scandi-crush has been transplanted intact to London’s Docklands.

The raw numbers of the music business are on show, too: for the 1980 tour of Japan, the four flew first class for over $5,000 each, while “nine musicians, four Swedish crew, five British crew” were evidently down the back at a quarter of the fare.

The exhibition, like Abba themselves, has very high production standards and comes at a premium price: £27 for an experience that will typically last 90 minutes. It is directly opposite another existing branch of the Abba franchise – Mamma Mia The Party – in which part of the Dome has been impressively converted to the biggest Greek taverna you ever did see, complete with singing waiters.

When I went along (at a premium cost of £150, including an excellent meal), I shared a table with a couple who were not even born when Abba folded.

“What’s so extraordinary about Abba is that they are inter-generational,” says Jude Kelly.

“This is an exhibition of a scale that you rarely see of everything that Abba have ever done. So if you’re at all interested in popular culture, or you love Abba a lot, it’s worth the journey.”

(Also worth the journey, at least if you find yourself in Stockholm, is Abba The Museum.)

The final room of the London extravaganza show is an invitation to strut your stuff, with a long loop of Abba favourites on screen and speakers.

‘Abba: Super Troupers The Exhibition’ runs daily (except Christmas Day and New Year’s Day) from 6 December 2019 to 31 August 2020 at the O2, London

The final room of the London extravaganza show is an invitation to strut your stuff, with a long loop of Abba favourites on screen and speakers.

Timeless, says Jude Kelly. “The 70s were an amazing era. We’re living in another amazing era.”

“Thank goodness we’ve got art, thank goodness we’ve got music, thank goodness we’ve got things that carry us through with energy and optimism.”

The history book on the shelf is always repeating itself.

‘Abba: Super Troupers The Exhibition’ runs daily (except Christmas Day and New Year’s Day) from 6 December 2019 to 31 August 2020 at the O2, London










ABBA: Super Troupers The Exhibition To Open At The O2 This December
by BWW News Desk Sep. 10, 2019
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Entertainment Exhibitions International (UK) Ltd (EEI), in association with ABBA The Museum in Stockholm, have announced ABBA: Super Troupers The Exhibition in a 14,000 square foot space within London's home of music, The O2. Running from 6th December 2019 to 31st August 2020, the immersive exhibition brings to life the world of chart-topping Swedish pop sensation ABBA (Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid ("Frida") Lyngstad) in a visitor experience that charts their music, lyrics, creative process and influence as one of the most iconic pop bands of the modern age.

The exhibition has been conceptualised and curated by Jude Kelly CBE, former artistic director at The Southbank Centre, and approved by ABBA.

ABBA burst onto the UK music scene with a dazzling win on 6th April 1974 at the Eurovision Song Contest at the Brighton Dome, introducing the irresistible song that would become their first UK chart-topper, "Waterloo". ABBA: Super Troupers The Exhibition examines ABBA's rise to global superstardom through a series of atmospheric rooms, exploring each of ABBA's 8 multi-million selling albums, alongside the band's personal and public journey.


Throughout, a specially created audio guide (included in the price of admission) will give context to the developments of the decade, highlighting the global news events and musical soundtrack that defined the era. The experience will contain objects from ABBA The Museum and other archives, some of which have not previously been on display in the UK.

Transforming the traditional exhibition experience, this deeply unique take on the ABBA story takes visitors to the heart of the journey of each band member. Incorporating lyrics, costumes, instruments, experiential backdrops of the key events and locations that defined and shaped the band, album artwork, photography, film and more, ABBA: Super Troupers The Exhibition examines the band's universal popularity. From their multi-layered sound to their iconic look, the exhibition goes behind-the-scenes to examine the heavy-weight influence of one of the most enduring acts of all time.

ABBA: Super Troupers The Exhibition is set to put objects on display that include:

A look at the lives of the band, pre-ABBA, displaying personal items from each musician's youth including Björn's school report, his military book and photographs from his time in service, and pictures of a 13-year-old Frida in a jazz band as a beatnik teenager.


Key items from the height of the band's heyday, reflecting on both the personal - such as a collection of behind the scenes photos taken of the band on their '77 Australian "Arrival" tour - and the professional, with iconic items from the height of their success, including:

A limited-edition replica of the 'Star Guitar' played at Eurovision '74, signed by all four members.
Over 40 Gold Discs from ABBA's personal archive including "Dancing Queen", their biggest selling single, worldwide.
A collection of exquisitely designed, image-defining costumes and personal clothing.
A recreation of super fan, Andrew Boardman's Manchester living room. A shrine to ABBA memorabilia, Andrew began collecting 40 years ago having fallen under the band's spell at the first concert of theirs he attended, aged 16. This room explores the notion that ABBA may have the most ardent and committed fans of any contemporary band.
Visitors will be fully immersed in the ABBA story, where highlights of the exhibition's theatrical staging include:


Taking a stroll through a Swedish folk park as the band's pre-ABBA successes and folk roots are explored.

A recreation of the Eurovision Song Contest stage at the Brighton Dome, where, from lush deep theatre seats, fans will watch the performance before experiencing the excitement of the vote reveal.

Multiple photo-opportunities, where attendees can capture themselves beside:

A full-sized replica of the helicopter that graced the cover of "Arrival'"
Replicas of the iconic "Super Trouper" album cover costumes.
A life-size replica of the scoreboard that saw ABBA secure Eurovision Song Contest victory.
A glimpse inside the band's POLAR Studios, where the hard-working pop perfectionists refined their defining harmonised sound, with interactive elements that include a voice recording booth and mixing desk.

Ending the experience on a hedonistic high, guests are invited to sing, dance, add to fan mail, explore memorabilia and indeed say "Thank You For The Music" in The Legacy finale, as a specular audio-visual backdrop documents the very best of the band's monumental success.


ABBA's Frida Lyngstad says,

"We are delighted to support ABBA: Super Troupers The Exhibition at The O2 following the overwhelming response to our earlier exhibitions in London. From our Eurovision Song Contest win in Brighton in '74 to the present day, the UK has long held a special place in ABBA's heart, and we have always strongly felt the love and support of our British fans. It's with celebration that we work with Jude Kelly CBE towards this major exhibition and can't wait for fans to discover a host of surprises in December!"

Jude Kelly CBE, Curator, adds:

"ABBA's music, image and personal stories not only gripped a generation, but have the transcendental ability to continue to engage millions of fans of all ages across the globe today. It was a great pleasure to see the extraordinary response and enduring respect of fans from all around the world during previous ABBA exhibitions in London. I am delighted to work with EEI and ABBA The Museum to present ABBA: Super Troupers The Exhibition at The O2 and to be able to take visitors deeper into the incredible legacy that is the ABBA story."


Ingrid Sutej of Entertainment Exhibitions International (UK) Ltd (EEI) continues:

"EEI is delighted to be working alongside ABBA and Jude Kelly to realise Jude's vision of one of the most incredible cultural stories of our time. This all-new creative concept takes a different approach to telling the ABBA story through an immersive experience that will show the band and their remarkable legacy to fans in a new light."

ABBA: Super Troupers The Exhibition will be exhibited at The O2, the home of the world's most successful arena and within an entertainment precinct that includes the new ABBA-inspired immersive theatrical and dining experience, Mamma Mia! The Party.

https://www.broadwayworld.com/uk-regional/article/ABBA-Super-Troupers-The-Exhibition-To-Open-At-The-02-This-December-20190910

lunes, 2 de diciembre de 2019

Bjorn at Di Gasell Gala

Di Gasell Gala at Konserthus in Stockholm. Today Bjorn participated as a speaker





A Christmas present to counteract stupidity

Article: En julklapp för att motverka dumhet
All students who go last year in high school will now receive the book "Alternative facts. About the knowledge and its enemies" this Christmas.
The book is written by Åsa Wikforss, professor of theoretical
Philosophy at Stockholm University. But is Björn who hands out the book.
Björn and Sven Hagströmer are behind the investment of the book
























En julklapp för att motverka dumhet
110 000 gymnasieelever får Åsa Wikforss bok "Alternativa fakta". Bakom satsningen står Fri tanke förlag som Björn Ulvaeus var med och grundade.

Vi hoppas att boken ska hjälpa eleverna att stå emot lavinen av konspirationsteorier och dumhet, säger han.
Erika Josefsson/TT

09:47 | 2019-12-02
"Upplysningsfilosof, folkbildare och oförtröttlig kämpe mot kunskapsresistens och fördummande". Så beskriver den forne Abba-medlemmen Björn Ulvaeus professorn i teoretisk filosofi, Åsa Wikforss som snart tar sitt inträde bland de aderton.

Idén kom förstås när vi fick veta att hon kommer med i Akademien, och att vi kunde ge en julklapp i samband med det, säger han till TT.
Bakom gåvan står Fri tanke förlag som Björn Ulvaeus och finansmannen Sven Hagströmer var med och startade. Bland förlagets egna böcker finns just Åsa Wikforss populärvetenskapliga bok "Alternativa fakta. Om kunskapen och dess fiender". Fri tanke avsätter nu 800 000 kronor för att finansiera pocketböcker till omkring 110 000 ungdomar som går tredje året i gymnasiet förutsatt att deras lärare beställer dem tillsammans med den tillhörande lärarhandledningen.

Artikelbild
BILD: Fredrik Sandberg/TT | Finansmannen Sven Hagströmer, akademiledamoten Åsa Wikforss och den forne Abba-medlemmen Björn Ulvaeus tror att "Alternativa fakta" kan göra gymnasieeleverna bättre rustade.

Att eleverna går sista året är enda kriteriet säger Björn Ulvaeus.
Propagandamaskin
Julklappen motiverar han med att referera till skådespelaren Sacha Baron Cohens omskrivna tal på en konferens mot antisemitism i New York där han beskrev de sociala medierna och Google som “de största propagandamaskinerna i historien”.

Hans tal är så himla bra, där finns kärnan i det här, oron för hur demokratin ska kunna leva i en omgivning där vi inte talar om samma sak, där vi inte kan göra det för att det inte finns några sanningar att tala om. Det är skräckinjagande tycker jag.
Artikelbild
BILD: Fredrik Sandberg/TT | Åsa Wikforss och Björn Ulvaeus gläds båda över julklappen till landets gymnasietreor.

Åsa Wikforss beskriver satsningen som en "fantastisk överraskning" för hennes del och menar att skolan har en central roll i att stärka motståndskraften mot desinformation och de polariserande krafterna i samhället.

Jag hoppas att boken kan hjälpa eleverna att förstå vad som pågår och förstå hur våra sårbarheter systematiskt utnyttjas. Att dels få den här kunskapen om kunskap som jag ger, dels att få olika redskap för att vässa tänkandet, det tror jag kan utgöra ett visst skydd.
Väldigt kritisk
TT: Men är du inte samtidigt väldigt kritisk mot den svenska skolan, och dess syn på kunskap?

Jo, men det jag kritiserar är inte lärarna utan den kunskapssyn som pedagogiska forskare har propagerat för och som har format skolans styrdokument. Med största välvilja har man talat om att lära ut kritiskt tänkande men man har gjort det på fel sätt, man har trott att man kan göra det utan att lära ut faktakunskaper. En av de centrala poängerna i min bok är just att kritiskt tänkande förutsätter faktakunskaper – det visas tydligt av forskningen.
Det kapitlet kanske är mer för lärarna även om det är bra även för eleverna att reflektera över vikten av att faktiskt banka in lite saker för att bli en klok och kritiskt tänkande medborgare.
Fakta
Fakta: "Alternativa fakta"
Begreppet "alternativa fakta" är ett begrepp som används för att beskriva något som fakta utan att det egentligen är det, och trots att det står i strid med det som framgår utifrån vedertagna källor.

2017 kom Åsa Wikforss, professor i teoretisk filosofi, med sin bok "Alternativa fakta. Om kunskapen och dess fiender" som handlar både om kunskap och om vilka psykologiska mekanismer som gör oss resistenta mot den.


https://www.vt.se/kultur-noje/en-julklapp-for-att-motverka-dumhet-om6409483.aspx


update

STOCKHOLM (Reuters) - ABBA’s Bjorn Ulvaeus has gifted books to high school students across Sweden to try to stem the flow of fake news.

The musician, who together with ABBA sold more than 375 million albums and singles, said the initiative came about as he felt democratic institutions were being undermined by the spread of misinformation.

Some 111,000 copies of the book “Alternative Facts - About Knowledge and its Enemies” will be distributed. Teachers have to request them on behalf of their final year pupils and the only caveat is that they be used in some way in class.

“It’s like something that they need - in our critical thinking and the trust of our institutions which is you know being eroded - and as a Christmas gift simply,” Ulvaeus, part owner of the publishing house behind the book, told Reuters.

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The book was written by professor of theoretical philosophy, Asa Wikforss, who was this year elected a member of the Swedish Academy, which chooses the Nobel Prize in Literature.

“I start with the sort of very philosophical ideas about how incredibly easy it is to undermine trust that Bjorn was talking about because knowledge, human knowledge to a large extent depends on trusting sources,” she said.

https://www.reuters.com/article/us-people-ulvaeus-books/abbas-bjorn-sends-swedens-students-sos-on-fake-news-idUSKBN1YL1K5
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