lunes, 3 de julio de 2017

Immersive Abba exhibition to look back on the band’s rise to stardom




2nd July
Immersive Abba exhibition to look back on the band’s rise to stardom
Press Association 2017
Immersive Abba exhibition to look back on the band’s rise to stardom

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A new exhibition will tackle the rise of pop sensation Abba – in the context of “grim” 1970s Britain.

ABBA: Super Troupers will take place at the Southbank Centre, located just next to the station which shares the name of one of the band’s biggest hits – Waterloo.

Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad have given their seal of approval to the “immersive” show.

Abba
Abba (PA)
Paul Denton, producer at the Southbank Centre, said the band liked the treatment given by the London venue on another Nordic export, book characters the Moomins.

“Bjorn came out to see the Moomin show and got the kind of approach we wanted to take, how we’re doing exhibitions in a pioneering way and really liked that,” he said.

“This show will be in the context of the socio-political situation in the 1970s and how Abba rose to fame during quite a grim time for the UK.

“We’re looking at what was special about Abba and why they rose to prominence. I think they really like that.

Abba at Eurovision
Abba at Eurovision PA)
“During the 1970s there was a three-day working week, a hung parliament and economically Britain was quite poor. Abba were seen as quite exotic creatures from Sweden.

“Obviously their music is what carried them through, their music caught the hearts and imagination of people. But this sets the scene.”

The exhibition will have no labels or text and will feature objects from private archives, as well as from the Abba museum in Stockholm.

A score will accompany visitors as they walk through different rooms, accompanied by a host.


Unseen archive material will include some of Abba’s original costumes, handwritten notes and sketches which the band created together, personal photographs, music and instruments.

And there will be “no mass collection of objects behind glass cabinets” to tell a story.

“Unlike a traditional exhibition, ours is an immersive theatrical experience,” Denton said.

“There will be a series of theatrical rooms. You might start in a 1970s living room where the archive is embedded in the table, and where you’ll have a crackling radio playing songs from the period.”

Abba congratulate each other in Brighton after winning Eurovision (PA)
Abba congratulate each other in Brighton after winning Eurovision (PA)
He added: “This is a completely new exhibition. ABBA The Museum already exists in Stokholm and is doing a wonderful job. Ours is a retelling of the Abba story”.

The exhibition will also touch on the relationships between the band members – Faltskog and Ulvaeus, as well as Lyngstad and Andersson were married.

Denton said: “We’re going to break down the lyrics…. charting the demise of their relationships through music and lyrics is really illuminating when you properly investigate that.”

The band’s Eurovision win, in 1974, with Waterloo, was a huge part of how the pop sensations rose to global prominence, with millions watching around the world.


Lyngstad said: “We are so excited that the exhibition is taking place at the Southbank Centre, which is just a few short steps away from Waterloo – this connection brings to mind very happy memories of the song that started our great success in Britain!”

She added: “We are thrilled to be supporting the new exhibition ABBA: Super Troupers in London, especially since ABBA have always been very appreciative of the love and support shown to us by our fans in the UK.”

Ulvaeus said: “Since our songs, which were written in the 70s, are still being played today it’s particularly interesting that the Southbank Centre exhibition is placing them in the temporal context in which they were created.

“We recorded Mamma Mia in 1975. What happened that year in the UK and in the world? One thing is for certain – it seems unbelievably long ago!”


Abba at Eurovision (PA)
Denton said of the band’s legacy: “They were great musicians and great lyricists when you break down the way they layered their sounds… there is no question about their influence.

“Music changed during that period but Abba… really was a mainstay throughout the 1970s and early 80s of what popular culture was.

“They were the stalwarts that continued to pump out great music that people really felt connected to.”

:: Abba: Super Troupers runs from December 14, 2017 to April 29, 2018 at London’s Southbank Centre.


http://www.thisisoxfordshire.co.uk/events/national/15385662.Immersive_Abba_exhibition_to_look_back_on_the_band___s_rise_to_stardom/

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En otro diario la misma nota

2nd July
Immersive Abba exhibition to look back on the band’s rise to stardom
Press Association 2017
Immersive Abba exhibition to look back on the band’s rise to stardom

A new exhibition will tackle the rise of pop sensation Abba – in the context of “grim” 1970s Britain.

ABBA: Super Troupers will take place at the Southbank Centre, located just next to the station which shares the name of one of the band’s biggest hits – Waterloo.

Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad have given their seal of approval to the “immersive” show.


Paul Denton, producer at the Southbank Centre, said the band liked the treatment given by the London venue on another Nordic export, book characters the Moomins.

“Bjorn came out to see the Moomin show and got the kind of approach we wanted to take, how we’re doing exhibitions in a pioneering way and really liked that,” he said.

“This show will be in the context of the socio-political situation in the 1970s and how Abba rose to fame during quite a grim time for the UK.

“We’re looking at what was special about Abba and why they rose to prominence. I think they really like that.

Abba at Eurovision

“During the 1970s there was a three-day working week, a hung parliament and economically Britain was quite poor. Abba were seen as quite exotic creatures from Sweden.

“Obviously their music is what carried them through, their music caught the hearts and imagination of people. But this sets the scene.”

The exhibition will have no labels or text and will feature objects from private archives, as well as from the Abba museum in Stockholm.

A score will accompany visitors as they walk through different rooms, accompanied by a host.


Unseen archive material will include some of Abba’s original costumes, handwritten notes and sketches which the band created together, personal photographs, music and instruments.

And there will be “no mass collection of objects behind glass cabinets” to tell a story.

“Unlike a traditional exhibition, ours is an immersive theatrical experience,” Denton said.

“There will be a series of theatrical rooms. You might start in a 1970s living room where the archive is embedded in the table, and where you’ll have a crackling radio playing songs from the period.”


He added: “This is a completely new exhibition. ABBA The Museum already exists in Stokholm and is doing a wonderful job. Ours is a retelling of the Abba story”.

The exhibition will also touch on the relationships between the band members – Faltskog and Ulvaeus, as well as Lyngstad and Andersson were married.

Denton said: “We’re going to break down the lyrics…. charting the demise of their relationships through music and lyrics is really illuminating when you properly investigate that.”

The band’s Eurovision win, in 1974, with Waterloo, was a huge part of how the pop sensations rose to global prominence, with millions watching around the world.


Lyngstad said: “We are so excited that the exhibition is taking place at the Southbank Centre, which is just a few short steps away from Waterloo – this connection brings to mind very happy memories of the song that started our great success in Britain!”

She added: “We are thrilled to be supporting the new exhibition ABBA: Super Troupers in London, especially since ABBA have always been very appreciative of the love and support shown to us by our fans in the UK.”

Ulvaeus said: “Since our songs, which were written in the 70s, are still being played today it’s particularly interesting that the Southbank Centre exhibition is placing them in the temporal context in which they were created.

“We recorded Mamma Mia in 1975. What happened that year in the UK and in the world? One thing is for certain – it seems unbelievably long ago!”


Abba at Eurovision (PA)
Denton said of the band’s legacy: “They were great musicians and great lyricists when you break down the way they layered their sounds… there is no question about their influence.

“Music changed during that period but Abba… really was a mainstay throughout the 1970s and early 80s of what popular culture was.

“They were the stalwarts that continued to pump out great music that people really felt connected to.”

:: Abba: Super Troupers runs from December 14, 2017 to April 29, 2018 at London’s Southbank Centre.


http://www.thisisoxfordshire.co.uk/events/national/15385662.Immersive_Abba_exhibition_to_look_back_on_the_band___s_rise_to_stardom/

sábado, 1 de julio de 2017

Björn compró el Cirkus en Estocolmo


Björn Ulvaeus
Ulvaeus bolag köper anrika scenen Cirkus
Teateranläggningen går ihop med ABBA-museet





ROCKBJÖRNENigår 19:04
Björn Ulvaeus bolag Pop House köper teateranläggningen Cirkus.
– Ambitionen är att mina kräsna musikalkollegor ute i världen ska säga: ”Jag har hört att Cirkus i Stockholm är Skandinaviens bästa scen”, säger Björn Ulvaeus i ett pressmeddelande.
Abba-Björns miljonsatsar — i Västervik

Björn Ulvaeus driver en miljardkoncern som enligt senaste årsredovisningen gjorde hundratals miljoner i vinst.
Nu satsar han på ännu en vinstmaskin när bolaget Pop House Stockholm, som han äger till 22 procent, köper den anrika teateranläggningen Cirkus på Djurgården i Stockholm.

För spelåret 2016/2017 räknar Cirkus med intäkter på 113 miljoner kronor. Det mest inkomstbringande året i Cirkus historia, enligt ett pressmeddelande om försäljningen.
Framgångarna beror bland annat på succéer som ”Phantom of the Opera” med Peter Jöback i huvudrollen och Magnus Ugglas föreställning ”Hallå” på den intilliggande mindre Skandiascenen.
Även Aftonbladets ”Svenska hjältar”-gala har de senaste åren ägt rum på Cirkus.
Äger hotell
I Höst ska kommer föreställningar som ”Tomas Ledin – Skarpt läge” på Cirkus och Jason ”Timbuktu” Diakités ”En droppe midnatt” på Skandiascenen fortsätta att bringa in pengar.
Huvudägare i Pop House Stockholm är förutom Björn Ulvaeus också riskkapitalisten Conni Jonsson. Företaget äger och driver ABBA-museet och det intilliggande hotellet Story.
– Jag ser framför mig ett Cirkus som ett modernt, flexibelt och attraktivt teaterkomplex med ett brett musik- och underhållningsutbud av hög kvalitet. Ambitionen är att mina kräsna musikalkollegor ute i världen ska säga: ”Jag har hört att Cirkus i Stockholm är Skandinaviens bästa scen”, säger Björn Ulvaeus i ett pressmeddelande.

Agnetha Fältskog om separationen från Björn Ulvaeus

Abba-Björn dissar brittiska kultbandet



http://www.aftonbladet.se/nojesbladet/musik/rockbjornen/a/AApQ3/ulvaeus-bolag-koper-anrika-scenen-cirkus

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VISTA EN GOOGLE MAPS https://www.google.com.ar/maps/@59.3250578,18.0993641,3a,75y,147.8h,90.7t/data=!3m7!1e1!3m5!1sfvYXlBvKfIVHuRz4YA6YkA!2e0!6s%2F%2Fgeo1.ggpht.com%2Fcbk%3Fpanoid%3DfvYXlBvKfIVHuRz4YA6YkA%26output%3Dthumbnail%26cb_client%3Dmaps_sv.tactile.gps%26thumb%3D2%26w%3D203%26h%3D100%26yaw%3D307.56525%26pitch%3D0%26thumbfov%3D100!7i13312!8i6656?hl=es-419

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Björn Ulvaeus har köpt Cirkus i Stockholm
Publicerad 30 jun 2017 kl 21.00
Scenen Cirkus på Djurgården har blivit uppköpta av Pop House Stockholm, rapporterar SVT Nyheter.
Nu planerar huvudägarna Björn Ulvaeus och Conni Jonsson för en ny restaurang – och samarbeten med Abbamuseet.
Annons:

Det var på fredagen som det blev klart att Pop House Stockholm köper Cirkus på Djurgården. I köpet ingår även den nybyggda Skandiascenen.
En av Pop House Stockholms huvudägare är den före detta Abba-medlemmen Björn Ulvaeus. Nu planerar han för stora förändringar.
– Jag ser framför mig ett Cirkus som ett modernt, flexibelt och attraktivt teaterkomplex med ett brett musik- och underhållningsutbud av hög kvalitet. Ambitionen är att mina kräsna musikalkollegor ute i världen ska säga: ”Jag har hört att Cirkus i Stockholm är Skandinaviens bästa scen”, säger Björn Ulvaeus i ett pressmeddelande.
LÄS MER: Björn Ulvaeus om nya relationen till Agnetha
Utökat samarbete mellan Cirkus och Abbamuseet
Sedan tidigare äger Pop House Stockholm Abbamuseet som också ligger på Djurgården, bara en bit ifrån Cirkus. De nya Cirkus-ägarna uppger att de planerar för ett utökat samarbete mellan verksamheterna. Dessutom kommer Cirkus restaurang och bar att förnyas samt få en exklusiv vip-sektion.
Det var Ernst Haegglund som ritade Cirkus. År 1892 byggdes det för just cirkusföreställnignar. I dag används huset däremot för konserter, musikaler och teater bland annat. 1983 klassades Cirkus som ett byggnadsminne, rapporterar SVT.

LÄS MER: 27 tips på Stockholms vackraste ö – Djurgården

Ulvaeus köpte in sig i gästhamn
Så sent som i januari i år gjorde Abba-profilen en annan investering då han köpte in sig i gästhamnen i Västervik.
– Nu när Västerviks kommun satsar på gästhamnen och bygger en vågbrytare som ska fungera som promenadstråk från Slottsholmen till Notholmen, så vill vi vara med och bidra med något riktigt bra. Vi ska utveckla ett koncept som är ett komplement till Slottsholmen och som gör Västervik till ostkustens bästa gästhamn, sade Björn Ulvaeus till Västerviks-Tidningen i samband med investeringen.
Relaterade ämnen
Björn Ulvaeus

Emma ÖsterbergEmma Österberg
emma.osterberg@expressen.se

http://www.expressen.se/dinapengar/bjorn-ulvaeus-har-kopt-cirkus-i-stockholm/

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En la inauguración del Museo en 2013


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