jueves, 27 de noviembre de 2025

ABBA / Stranger Things

ABBA's 'Fernando' Was the Perfect Song for Karen's Bath

ABBA song "Fernando" was chosen for that terrifying demogorgon scene in STRANGER THINGS season 5.

 Fernando... There was something in the air that night



50 years after it was first released, ABBA's 'Fernando' soundtracks one of Stranger Things most terrifying season five scenes

From Kate Bush's 'Running up that Hill' to Metallica'a 'Master of Puppet's', Stranger Things has a way with sourcing old school soundtracks and ricocheting them back into the cultural zeitgeist. For it's last season, released in full on the 26th of November 2025, turned to one of Sweden's most iconic bands: ABBA.


Featuring in that terrifying demogorgon scene in episode two of season five, the slow-build Fernando had us all on our seat in a similar wain to 'Running up that Hill'. In a recent MovieZine interview, the Duffer brothers – the creators behind Stranger Things – said: "We must've tried 20, 30 different songs and that ['Fernando'] just felt right." In the end, it was the rhythm and cinematic quality to the song, alongside some vague comedic elements and a good character fit for Karen, that landed the song a spot on the soundtrack.

In the pantheon of ABBA's music mastery, Fernando has a tendency to be forgotten. First released on ABBA's 1976 album Arrival alongside ’Dancing Queen’, ’Knowing Me, Knowing You’ and ’Money, Money, Money’, it was the band's first single to top American music charts.

Related: “Writing a good song is still what gets me off”: Robyn on her grand return to the pop sphere


Photo: Ola Lager courtesy of Universal

Speaking on how the song came to be, Björn Ulvaeus comments: “On a beautiful summer night I was lying flat on my back on the jetty at my country house. I was looking at a starry, completely unobscured sky and it was as though the words were handed to me from above. I only had to reach out and grab them - “there was something in the air that night…”"

And there's definitely something strange in the air as we bundle up to venture through the membrane one last time to defeat Vecna.




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Stranger Things 5: ABBA's 'Fernando' Was the Perfect Song for Karen's Bath, Says Music Supervisor Nora Felder
James Reed — Tiempo de lectura: 7 minutos

Stranger Things 5: Why ABBA’s ‘Fernando’ Was the Perfect Song for Karen’s Bath

Can you hear the drums? Music supervisor Nora Felder reveals why they chose that iconic needle drop.

By James Reed

Nov. 28, 2025

This article contains major character or plot details.

Karen Wheeler just wanted to enjoy a nice, relaxing bubble bath at home, cradling a glass of white wine in the tub. And what better way to set the mood than with “Fernando,” the wistful ABBA hit from 1976?

Of course, that’s not how it goes down in Episode 2 of Stranger Things 5, the final season of the beloved series, which debuted its first four episodes on Nov. 26. (Volume 2 arrives on Christmas Day, followed by The Finale on New Year’s Eve.)

In the episode titled “The Vanishing of Holly Wheeler,” all hell breaks loose when a Demogorgon tears through the ceiling of young Holly’s (Nell Fisher) bedroom. As she tries to flee the monster, the camera cuts to Karen (Cara Buono) sipping her wine to the soothing, honeyed sounds of ABBA: 

“Can you hear the drums, Fernando? / I remember long ago another starry night like this.”

But that spa-like moment is soon shattered: Holly bursts into the bathroom to warn her mother, and the melody of “Fernando” suddenly sputters and turns sour as the Demogorgon hunts them down. “Fernando” is an especially inspired needle drop — even for a series so famous for its soundtracks — one that lulls the viewer into a false sense of calm just before an incredibly vicious attack.

“I particularly enjoy how ABBA’s ‘Fernando’ not only feels so perfectly Karen as she preps for her bath time, but it also builds in a unique way that heightens the accelerating terror that plays out through the horrific scenes that follow,” says Nora Felder, Stranger Things’ award-winning music supervisor since the first season. 

Felder and her team originally had another iconic song in mind for the scene, but when they couldn’t secure the rights for it, they cast a broad net to find the perfect track.

“Once we found out, the creative deep dive began to find another song for the moment. I believe Matt and Ross Duffer’s main directive was to shoot in all directions — my favorite kind of search — but to try songs with some energy,” Felder says. “With that in mind, we tested a rather significant number of songs before landing on ‘Fernando,’ which also happened to be among the very first of the extensive batch that I had submitted. Although we went incredibly deep on this one before a decision was made, I honestly think that everyone was having so much fun testing such a wide range of various song ideas that we just couldn’t stop ourselves.”

Cara Buono as Karen Wheeler in ‘Stranger Things 5’
“My running joke with music editor Lena Glikson-Nezhelskaya is to playfully tease her from time to time and ask if we should go back to finding more Karen-in-the-bathtub songs,” Felder adds.

After “Fernando” fades out, it’s clear the only bath Karen Wheeler will be getting is a bloodbath in the kitchen when she breaks a wine bottle and uses it to beat down the Demogorgon trying to snatch her daughter. Already, Karen’s hero moment has gone viral among fans of the series. Even Buono was shocked when she first learned about the scene. 

“I was so surprised when I read the script and saw that Karen takes her wine bottle and cracks it against the counter. I thought, ‘This is a beautiful full-circle moment,’” Buono says. “I always joked about Karen and her wine, and now it actually comes in handy.”












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miércoles, 26 de noviembre de 2025

ABBA Voyage producers: 'The possibilities were always there but perhaps it took us to venture ahead'

 




ABBA Voyage producers: 'The possibilities were always there but perhaps it took us to venture ahead'

by Andre Paine November 26th 2025 at 7:02AM — Tiempo de lectura: 3 minutos


The music industry is exploring opportunities for immersive music performances as technology opens up new possibilities for artists.


In the wake of the success of ABBA Voyage, new entrants and investors are set to increase the range of avatar-based music productions. 


In the latest edition of Music Week, we explore some of the key developments for this emerging sector as well as the legal and licensing issues around avatar-based productions. 


ABBA Voyage’s initial investment was considerable at £140 million, but the virtual performance was bringing in $2 million a week once it was up and running. 


ABBA Voyage opened in May 2022 at the purpose built arena located at the Queen Elizabeth Olympic Park. Digital versions of ABBA perform their greatest hits and two 2021 tracks, I Still Have Faith in You and Don’t Shut Me Down from their comeback album Voyage, alongside a 10-piece live band. 


Following its release four years ago, ABBA’s Voyage album (Polydor) has amassed UK consumption of 502,443 units (Official Charts Company). Up to the end of the third quarter, the group’s Gold – Greatest Hits was at No.17 overall with consumption of 181,491 units. It has since advanced to 214,515 as it chases the 2024 total of just under a quarter of a million units. 


With bookings open up to its fourth anniversary in May 2026, ABBA Voyage continues to stage seven performances a week at the 3,000-capacity ABBA Arena. Earlier this year, ABBA added new tracks to the concert’s setlist to celebrate its third anniversary. The additions include The Name of the Game, Super Trouper, Money, Money, Money and Take A Chance On Me. 


“It’s been interesting for us to see how ABBA Voyage has been received since we opened,” producers Svana Gisla and Ludvig Andersson told Music Week. “For us that created the show, we never saw it as a new format but rather something quite unique that works for ABBA. We just tried to make something beautiful that would hopefully stir up emotion in the concert-goer. It was never about the tech, never about ‘activating a catalogue’. It was only ever about love for the craft and curiosity.” 


We focus a lot on the audience experience, from the moment they arrive at the ABBA Arena until they leave


Svana Gisla and Ludvig Andersson


The producer duo acknowledged the ABBA Voyage, created with ABBA’s members (Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Frida Lyngstad) and directed by Baillie Walsh, has led the way in immersive performances.


“The possibilities have always been there, but perhaps it took us to venture ahead,” they told Music Week. “We would hope that whoever comes after would do something different, find their own idea and motivations. ABBA Voyage was never a format to copy.”


Anira, the holding company for ABBA Voyage, reported 1.06 million tickets sold in 2024 with overall revenue at £104.3 million. The shows averaged an occupancy of 90% and attendance is set to hit four million people from around the world by the fourth anniversary. As well as ticket sales, there’s a wealth of official merchandise – including a 2025 gingerbread man Christmas jumper – and physical music. 


“ABBA Voyage’s success is equal parts the appeal of ABBA themselves and the timeless music that they created, it carries so much nostalgia and emotion, and all we had to do was protect that,” said Gisla and Andersson. “We think that the audience can feel that what they’re experiencing is made by ABBA. That their DNA is in everything. Every detail reminds you that you are in ABBA's house.” 


The producers said they have continued to improve the show since its launch in May 2022. The venue has undergone a winter makeover for 2025/26.


“We focus a lot on the audience experience, from the moment they arrive at the ABBA Arena until they leave, and we tried to always be generous to that journey being the best it can be,” they told Music Week. “And we’ve kept improving the show since we opened. You might not see it but we’ve never stopped working on it and we will continue until the last person buys a ticket.”


Investors in ABBA Voyage, via Swedish company Goldonder Investors AB, include Pophouse Entertainment and Universal Music Group, the Swedish band’s label partner.


Pophouse has already announced plans for a Kiss avatar show, following the Swedish entertainment investment firm’s acquisition of the band’s catalogue, brand name and IP for a reported $300 million.


PHOTO: ABBA Voyage/Johan Persson

https://www.musicweek.com/live/read/abba-voyage-producers-the-possibilities-were-always-there-but-perhaps-it-took-us-to-venture-ahead/093127


https://www.musicradar.com/artists/shows-festivals/it-was-never-about-the-tech-never-about-activating-a-catalogue-it-was-only-ever-about-love-for-the-craft-and-curiosity-the-producers-of-abba-voyage-say-that-it-was-never-a-format-to-copy

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