miércoles, 25 de junio de 2025

Coffee meeting

 


Fikaträff hos en legend


Förra veckan blev vi hembjudna till Björn Ulvaeus och hans fru Christina på fikaträff ☕️❤️
Över kaffe och prinsesstårta delades minnen och erfarenheter i en fantastisk sommarmiljö, och det blev till och med lite allsång vilket var väldigt uppskattat - En minnesvärd eftermiddag för alla inblandade 🙌


Coffee meeting with a legend ⭐
Last week we were invited to Björn Ulvaeus and his wife Christina's home for a coffee meeting ☕️❤️
Over coffee and princess cake, memories and experiences were shared in a fantastic summer environment, and there was even a little sing-along which was very much appreciated - A memorable afternoon for everyone involved 

Reunión de café con una leyenda ⭐
La semana pasada nos invitaron a la casa de Björn Ulvaeus y su esposa Christina para una reunión de café ☕️❤️
Entre café y pastel de princesa, compartimos recuerdos y experiencias en un fantástico ambiente veraniego, e incluso cantamos un rato, lo cual fue muy de agradecer. ¡Una tarde memorable para todos los participantes! 🙌













lunes, 23 de junio de 2025

Björn Ulvaeus - Almedalen Week!

 This year's Almedalen Week opened on Monday evening in Visby, Gotland.



photo: Stlottsholmen



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viernes, 13 de junio de 2025

Björn - I Am the City - Stockholm

 


At  Diplomat hotel

A memorable moment for Channa Jayamanne He finally got a photo with none other than Björn Ulvaeus—legendary member of ABBA and one of Sweden’s most iconic artists.

jueves, 12 de junio de 2025

Bjorn Ulvaues reveals new surprise


photo ilustrativa en blog / Bjorn SXSW  London 2025

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ABBA legend reveals new offering from Swedish supergroup after £1bn 'gift' to UK

Marc Baker, Sanjeeta Bains 

21:27, 12 Jun 2025

ABBA legend reveals new offering from Swedish supergroup after £1bn 'gift' to UK

AS Bjorn Ulvaues turns 80 and celebrates the third anniversary of smash hit ABBA Voyage, he reveals new surprise


Not many people are seen as innovators when they hit 80. Fewer still can claim the title of musical genius - at any age.


But, after helping his band sell more than 400 million records, as he celebrates the third anniversary of the groundbreaking ABBA Voyage avatar show, 80-year-old Bjorn Ulvaeus is still seen as both.


For this irrepressible man, becoming an octogenarian simply means gathering more wisdom and experience.


Excitedly hinting at a new, secret ABBA project, Bjorn tells The Mirror: “There will be something. It is just not crystalised yet exactly what that is. Something new. Yes, I am 80 - but I wake up curious every morning."


Bjorn spoke frankly about his life in music as two of his bandmates, Benny Andersson, 78, and Anni-Frid Lyngstad, 79, joined him in the UK to toast the continued success of ABBA Voyage, which has contributed more than £1billion to the UK economy since opening in May, 2022.


More than two million fans have enjoyed the 90-minute shows at the immersive ABBA Arena, which features the group - including Agnetha Faltskog, 75 - as lifelike holographic images, churning out hits including Waterloo, Mamma Mia, Dancing Queen and Take A Chance on Me.


And, like their 1976 smash hit Money, Money, Money, it is an absolute goldmine.


More thrilled by its creative success, Bjorn says: "When I first went to Voyage I saw myself as a young man on stage. But the strangest thing is how emotional it is.


"It is amazing how people so quickly forget that they are looking at screens. I was amazed and we had no idea that it would happen. It is almost a spiritual feeling. There is something strange in the room which is amazing.”


The digital avatar show is produced by Pophouse Entertainment, a music investment firm and production company founded by Bjorn and Swedish billionaire businessman Conni Jonsson.


The company is currently looking to use the same cutting edge Voyage technology to bring other avatar shows to life, including the work of US singer Cyndi Lauper and the flamboyant American rockers Kiss.


And Bjorn, who is close friends with Sir Elton John, says other musical avatar extravaganzas are on the horizon.


He says: "I like to work. Working is fun. Our company Pophouse Entertainment has happened out of curiosity and wanting to try new things.


"I like to create new things like the avatars. The ABBA-tars. It was like a playground and to be able to help other people. I see Pophouse as a creative hub with fun attached to it, so you can do fun things.


“We are working with Cyndi Lauper, she has a very diverse catalogue. We are also working with Kiss. We believe it could be a very interesting avatar experience in the trans Marvel universe.


"They wanted cartoons and now they have ascended into the digital world. So that is very exciting for what they stand for. Cyndi is something completely different.


"There are lots of things we could do, too. We could work on documentaries, but there is so much else to do like the gaming world - and who knows what happens around the corner? We are at the forefront. I am so grateful."


Rumours are already circulating that David Bowie could be brought back to life as an avatar and that The Rolling Stones could soon be launching their own avatar shows.


But Bjorn won’t name any more names.


He says: “It is very exciting. We are looking for a story to tell. We have not seen anything yet...but it is coming. Our show Mamma Mia at the O2 in London took four or five years and Voyage the same, to opening night. These things take time. I want to help people's legacies."


Since winning the Eurovision Song Contest in 1974 with their breakout hit Waterloo, ABBA have won countless awards and were inducted into the Rock and Roll Hall of Fame back in 2010.


Bjorn says the secret to the Swedish sensations’ success is having great songs.


“What advice can I give younger artists other than to write better songs?” he says. “It is still true. This industry starts with a song.


"Whatever it is, it is a song that does it. I say just write a song and record it. If it is good enough then it will work. But you have to be prepared to have people say no to you 10 times, then one will say yes. You have to be prepared to wait and not lose hope. I remember rejection."


Growing up in Gothenburg, Sweden, Bjorn says it was The Beatles who inspired him to write, but admits he was always jealous of natural storytellers like The Bee Gees.


He says: "I used to listen to The Beatles and that is the reason why Benny and I started writing. Before then, the song writing had been very anonymous, like the people behind Elvis Presley.


"The Beatles were a big inspiration and The Beach Boys as well. But during the 1970s I used to envy people who could write commercial pop lyrics like The Bee Gees. I could not write commercial lyrics. Whatever you are doing you have to tell the story."


Today, Bjorn says not enough emphasis is put on crafting a song which can go on and help sustain a career for generations.


He says: "Once we won Eurovision we could say no to things. During that process we learned. We only wrote like 14 songs a year.


"People now say they have written 200 songs a year, but I don’t think they have. I would keep 10%. We could go for weeks writing full time and had very little to show for it.


"We would spend a long time in the studio and there is a very special satisfaction when you can listen to something and you think ‘Yeah, this is just how it should be’ It happened many times with ABBA. That is very special. A lot of people walk away thinking it is good enough but it is not. You have to add a few more inches."


Bjorn's current project is a secret musical he is writing with the help of AI, which he says helps him to come up with ideas when he gets stuck.


And although working with the International Confederation of Songwriters and Composers, which seeks to protect songwriters from having their works copied by AI technology, Bjorn says AI is a tool that should be embraced for the future.


He says: "Pop music has always been very tech driven. I remember when Benny and I started writing together, we always wanted the latest thing. You would hear a sound and ask how that was done.


"Benny had the first Mini Moog, which was the first synth. When we built our own studio we had digital machines. Tech and music go hand in hand and that is how it continues.”


Laughing at how working with AI is faster than writing with human beings like his co-writer Benny, he adds: "It is quicker writing with a machine, as you get an instant reply and it does exactly what you tell it.


"AI is fantastic and such a great tool. It can give you ideas to go in various different directions.


"There are songwriters using it all around the world as we speak.


“The music industry will come to some sort of agreement with the tech industry to work together, as these AI bots would not exist without the song that we wrote."


But Bjorn believes AI should not be feared, as when it comes to writing ABBA hits, he says: "When you prompt AI with ABBA it says ‘No, it can’t do that.’ There is a misconception that AI can write a whole song. It is lousy at that. Thank God it is very bad at lyrics as well, but it can give you ideas.”


So, ABBA looks set to be made-up of human members, merely enhanced by innovative technology, for the foreseeable future.


Looking back on his extensive back catalogue, he merely smiles and says: "What is the key to longevity? You have to have that curiosity that I talked about and something that drives you.


"Once you are a songwriter and have an experience of what it is like and see how people react to something you have written, that never goes away.


“I think you can do that your whole life. I enjoy it just as much today as I did before."

https://www.mirror.co.uk/3am/celebrity-news/abba-legend-reveals-new-offering-35382878


miércoles, 11 de junio de 2025

Mamma Mia! Here we go again


Mamma Mia! Here we go again… voor de 250ste keer! Wat een mijlpaal, WOW! 💙 Dank aan onze geweldige cast, crew én het fantastische publiek, op naar de volgende 250!

¡Mamma Mia! ¡Aquí vamos de nuevo... por 250.ª vez! ¡Menudo hito! ¡GUAU! 💙 Gracias a nuestro gran elenco, equipo y fantástico público. ¡Hasta los próximos 250!

 https://www.instagram.com/reel/DKw_1Y3oNcE








miércoles, 4 de junio de 2025

“We didn’t want it to be a time capsule. This is ABBA now.”

 June 4, 2025, London... SXSW...

“We didn’t want it to be a time capsule. This is ABBA now.”
Back in June, ABBA Voyage hosted a panel at the first ever SXSW London, ‘The Making of ABBA Voyage.’ Producer for the concert Ludvig Andersson and Creative Director of Industrial Light and Magic Ben Morris spoke to Matt Everitt about the concert’s conception and the creative process, ABBA’s involvement, and the emotional human connection that audiences experience inside the arena.
source abbavoyage



Pophouse Entertainment / ABBA Voyage / Kiss

 Pophouse Entertainment’s Jon Spalding on the power of emotional immersive experiences - Brands Untapped

Billy Langsworthy — Tiempo de lectura: 2 minutos

by Billy Langsworthy

Published 04.06.25

Pophouse Entertainment’s Commercial Director, Jon Spalding, on upcoming KISS activity… And the power of emotional immersive experiences.


Jon, you’ve been with Pophouse a year now. How’s it been?

It’s been an incredible ride. I’m working in an exciting industry that I love. Pophouse is a unique company with a pioneering new approach to music artists. We take iconic music artists – like KISS and Cyndi Lauper – and introduce them to new audiences through the power of storytelling…


We’re celebrating 50 years of the KISS legacy with a number of high-profile projects. We’re growing our portfolio of artists and meeting new partners, talking about how to push boundaries together.


One such partnership is with fashion house Dsquared2… They’re launching a KISS collection later this year. Why does that collaboration make sense for KISS?

Our ambition is to build long-term content roadmaps and ‘Universes’ for our artists. As we build our KISS Universe, we’re ‘phasing’ our approach… Phase One is rewarding fans and finding new audiences by embracing the storytelling and legacy of KISS. Dsquared2 is a perfect partner for this because they make very cool, elevated streetwear with a rock ’n’ roll edge. The collection launches later this year. We’re very excited.



And Phase Two?

Phase Two builds towards 2027 and the priority project, KISS Avatar Show in Las Vegas. Along the way, we’re planning the first KISS biopic, as well as documentaries, podcasts and gaming. There are key opportunities in fashion, lifestyle, toys and collectibles… Sport and entertainment partnerships are other areas of interest. Also, we recently activated a partnership with Montreal Canadiens – the national hockey team – on a KISS-themed night. That was a huge success!


What steers how you can unlock these bands and artists in live experiences?

A good example for us is ABBA Voyage. The tech is pioneering and state-of-the-art. The thing that makes ABBA Voyage so special, however, is the emotional connection. It’s the same with Mamma Mia! The Party, a Pophouse production – and also what will make the KISS show that we’re developing – special. It’s very emotional, we’re pushing boundaries, we want to show people things they’ve never seen. But storytelling is key.


How will the KISS Avatar Show differ from ABBA Voyage?

There’s an opportunity to do something with KISS that mixes an authentic concert-going experience with a something like a Star Wars movie and a Cirque Du Soli show… Mixing reality and fantasy in a way that hasn’t been done before. We ask ourselves: what would be the greatest KISS concert? That’s our starting point.





SXSW London 2025 / The Future of Entertainment...

 


























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Abba singer Björn Ulvaeus teases fans in London with AI-assisted musical
Songwriter tells audience at SXSW he is ‘three-quarters’ through writing and says technology is ‘very bad at lyrics’
Lanre Bakare Arts and culture correspondent
Wed 4 Jun 2025 18.45 BST
Share
After bringing a blockbuster hologram version of Abba to a purpose-built venue in east London, Björn Ulvaeus’s next technological exploration is a musical that he’s written with the help of artificial intelligence.
Ulvaeus told an audience at SXSW London that he was “three-quarters” of the way through writing a new musical which he has created with assistance from AI songwriting tools.
He did admit the technology had limitations when it comes to songwriting, saying it was “lousy at [writing a whole song]” and “very bad at lyrics” but was helpful whenever the 80-year-old songwriter reached a creative impasse.
“You can prompt a lyric you have written about something, and you’re stuck maybe, and you want this song to be in a certain style,” Ulvaeus said.
From left: Bjorn Ulvaeus, Anni-Frid Lyngstad, Agnetha Fältskog and Benny Andersson pose for a photo in a large hallway
Thank you for the music: Abba members get Swedish knighthoods
Read more
“You can ask it, how would you extend? Where would you go from here? It usually comes out with garbage, but sometimes there is something in it that gives you another idea.”
The use of AI is a hugely contentious issue in the music industry.
This year, Dua Lipa and Paul McCartney were among hundreds of artists who signed an open letter urging the prime minister to protect artists’ copyright and not “give our work away” to big tech.
Ulvaeus said AI isn’t the creative threat but rather a collaborator. “It’s fantastic. It is such a great tool,” he added. “It is like having another songwriter in the room with a huge reference frame. It is really an extension of your mind. You have access to things that you didn’t think of before.”
The musical is far from Ulvaeus’s first flirtation with technology.
Abba Voyage, the concert which launched three years ago in a purpose-built arena that featured digital avatars of the band, has been a huge success and was described as a “dazzling retro-futurist extravaganza” by the Guardian.
It was a risky venture as Pophouse Entertainment, the company behind the project needed to bring in £140m in order to break even.
He told the audience at SXSW London that he embraced experimental approaches to songwriting and studio technology much earlier in his career.
This experimental approach is characteristic of Ulvaeus’s career-long fascination with technological innovation.
During his time in Abba, he along with bandmate Benny Andersson “always wanted the latest thing”, and were among the first to use the Mini Moog synthesizer and use digital recording machines in their studio.
“We were always on the lookout for, you know, you would hear a sound on the record. How was that done? And then you get that stuff,” said.
The Abba songwriter told the audience that he sees AI as the latest evolution in his career rather than a threat which is how it is perceived by many.
“I actually wake up curious every morning,” Ulvaeus said, explaining the drive that has kept him creating decades after Abba’s peak. “Everything’s really after our wanting to try new things.”



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ABBA‘s Björn Ulvaeus is proving that curiosity doesn’t diminish with age. At 80, the Swedish songwriter behind some of pop music’s most enduring hits is pioneering a new frontier in musical theater: creating a musical with the assistance of artificial intelligence.

“Right now I’m writing a musical, assisted by AI,” Ulvaeus revealed during a talk at SXSW London on Wednesday, describing himself as “three-quarters” through the creative process. The project represents his latest experiment in pushing musical boundaries, following the massive success of ABBA’s groundbreaking avatar show “Voyage.”
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CISAC

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