sábado, 8 de julio de 2023

Vemod undercover - Jan Gradvall


Jan Gradvall publica un libro sobre ABBA... Tristeza encubierta

"Parece que todo lo que he escrito sobre música ha llevado a este libro", dice Jan Gradvall según Albert Bonniers Förlags sitio web.
Allí, el libro se describe como el lector se reunirá ABBA "más allá de los disfraces y las leyendas penetradas". "Es un libro que permite que los detalles, en la música, en el destino humano, en los tiempos contemporáneos, expliquen el todo, desde los primeros pasos de la banda como algo así como un supergrupo sueco a principios de la década de 1970, hasta la última grabación. Vemod Undercover es un mosaico de historias únicas sobre ABBA, pero sobre todo una declaración de amor desenmascarada, firmada por uno de los principales periodistas musicales de Suecia, que nos hace ver la banda y el tiempo con nuevos ojos."

Andersson explica que incluso las canciones más alegres del enorme catálogo de canciones de la banda son fundamentalmente tristes. "Hicimos melancolía encubierto", dice para describir la música de la banda.
El libro se publicará el 13 de octubre.
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Vemod undercover - Boken om ABBA Författare: Jan Gradvall
Vemod Undercover är titeln på nöjesjournalisten och författaren Jan Gradvalls kommande bok om ABBA.
AV JIM KNUTSSON
07.07.2023 / 09:07
"Det känns som allt jag skrivit om musik har lett fram till den här boken", säger Jan Gradvall enligt Albert Bonniers Förlags hemsida.
Där beskrivs boken som att läsaren kommer att möta ABBA "bortom förklädnader och genomtröskade legender". "Det är en bok som låter detaljerna – i musiken, i människoödena, i samtiden – förklara helheten, från bandets första steg som något av en svensk supergrupp i början av 1970-talet, till den sista inspelningen. Vemod Undercover är en mosaik av unika berättelser om ABBA, men framför allt en osminkad kärleksförklaring, signerad en av Sveriges ledande musikjournalister, som får oss att se bandet och tiden med nya ögon."
Benny Andersson förklarar att även de gladare låtarna i bandets enorma låtkatalog är vemodiga i grunden. "Vi gjorde vemod undercover", säger han för att beskriva bandets musik.

viernes, 7 de julio de 2023

"Sydney, Melbourne in rival talks to host ABBA’s ‘Voyage’ concert"

 

 

The winner takes it all: Sydney, Melbourne in rival talks to host ABBA’s ‘Voyage’ hologram concert

ABBA’s blockbuster Voyage concert may be in line for a voyage of its own – to Australia – with arms of the NSW and Victorian governments in talks to bring the hologram show to Sydney or Melbourne.


But Sydney could miss out as the new state government points to mounting debt and reorients its arts and culture policy toward growing local talent rather than sugar hits from big, one-off events.


The virtual concert was created by the legendary Swedish pop group using lifelike 3D renders of the original band members, and has played to rave reviews at the purpose-built ABBA Arena in London since May last year.


It is booked to stay in the UK capital until May 2024, but earlier this year, Universal Music Group chairman Lucian Grainge said plans were in development to tour the show internationally.


Sydney’s Entertainment Quarter at Moore Park is now involved in a bid to bring Voyage to Sydney. Sources, who asked to remain anonymous because of the confidential process, said a custom tent could be erected on the former showground site where ABBA famously played in 1977.


The price tag was said to be in the realm of $50 million to $80 million, and could be shared among the promoter, Entertainment Quarter and the government. While the sources said Destination NSW was keen to bring Voyager to Sydney, it was not clear the state government was keen to provide cash.


Arts Minister John Graham said the ABBA production had not yet been assessed by the NSW government. “We always want to ensure NSW gets the best shows coming to town,” he said.


“I note that the previous government left a $100 million hole in the state significant event fund when they left office – ‘money, money, money’ that would have helped us put on more events.”


According to the aforementioned sources, the Victorian government is also trying to lure the Voyage show, and was eyeing Melbourne Park (home of the Australian Open) as the location.


Asked to confirm that information, a Victorian government spokesperson said: “Victoria has the most enviable major events calendar of any state, and we are always looking at opportunities to bring the biggest and best events here.”



Australia would be a natural destination for a Voyage world tour, given ABBA’s unprecedented popularity here in the 1970s. About 25,000 people famously watched Agnetha, Bjorn, Benny and Anni-Frid perform in torrential rain at Sydney Showground on March 3, 1977.


That tour was promoted by Paul Dainty of TEG Dainty, who was contacted for comment on Friday about the Voyage show, but had not responded by deadline.


It was not certain the show would only go to either Sydney or Melbourne, but sources familiar with the nature, logistics and cost of the show suggested that was likely.


The Entertainment Quarter is leased to a consortium, Carsingha, chaired by Sydney businessman Tony Shepherd and backed by financiers including Gerry Harvey, Katie Page, Mark Carnegie and John Singleton. The site’s future remains in limbo with Carsingha seeking a longer lease and permission for a massive redevelopment. The group was contacted for comment.

jueves, 6 de julio de 2023

Frida - To Turn The Stone




LISTEN: This ‘80s bop by an ABBA legend was originally meant for Donna Summer
Though Anni-Frid Lyngstad, a.k.a. Frida, is best known for her work as part of Swedish supergroup ABBA, her career as a solo artist has almost as many fabulous synth-heavy songs to enjoy.
When ABBA broke up in 1982, Frida had already been planning her solo career in secret. Working with legendary producer and musician Phil Collins, she recorded her comeback solo album Something’s Going On. Its lead single, “I Know There’s Something Going On,” was a breakout hit, but all 11 of the album’s tracks are a stellar display of Frida’s talent, including the moody, dreamlike “To Turn The Stone.”
The meaning behind the song is difficult to decipher. Despite the full version being over five minutes long, “To Turn The Stone” doesn’t have many lyrics, consisting of just three choruses and a whole lot of Collins’ signature reverb-heavy production.
Frida opens the song singing, “The moon retreats behind a silver cloud / As darkness throws its cloak towards the earth / And mystery replaces what we thought we knew / To turn the stone, to turn the stone.”
It may sound nonsensical, but Frida’s voice is killer, as always.
The music video doesn’t bring any clarity, but it sure is fun to look at. The video sees Frida appearing in a burst of sparks in a cave full of fog and dramatic lighting. She sways and sings as the sun slowly rises.
Meanwhile, there are more crossfades than you can count, showing a truly bizarre set of images: a cat, an undulating dancer holding a glowing rod, a second cat, a pile of barbed wire, a mysterious orb, a shattering lightbulb, multiple explosions, heavy rain, and a soaring bird of prey.
Oh, and Frida changes into a red lamé outfit at some point. High camp.
“To Turn The Stone” wasn’t a single, but it was one of only four songs on Something’s Going On to get the music video treatment. The album was released in October 1982 and has since sold more than 1.5 million copies, making it the highest selling album by a former member of ABBA.
Though Frida was the first to release a recording of “To Turn The Stone,” the song was actually recorded a year earlier in 1981 by Donna Summer for her double album I’m A Rainbow. The track was written by Giorgio Moroder and Pete Bellotte, a songwriting duo known for their disco hits that Summer had been working with since the ‘70s.
Summer recorded 18 tracks for I’m A Rainbow, including “To Turn The Stone,” but issues behind the scenes saw the album shelved indefinitely. With Summer’s version apparently scrapped, Moroder and Bellotte instead licensed “To Turn The Stone” to Frida.
15 years later, Summer’s 1981 recording was finally released in 1996 with virtually no promotion. Her version of “To Turn The Stone” is more upbeat, and it sounds like the lovechild of a robot and a set of bagpipes.









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